By Holly Haggarty
Nowadays, poets mostly write free verse. Some exceptions might be birthday cards, kid lit and rap, but awards are rarely meted out to metric verse. Historically, the 20th century was the moment when free verse was finally freed from the formal rules of style, thought to be stodgy and confining (by esteemed poets such as William Carlos Williams and Marianne Moore). So, no more counting metre and listing rhymes.
No beat, no couplets? You might wonder, how then is free verse rhythmic? What are its rhythms? Is it rhythmic? Is it only saying that makes it so? Is there really any difference between poetry and creative non-fiction—don’t both interrupt conventional syntax while engaging figures of speech? Is poetry just a chopping of line?
O brother, put me in your pouch as you would a fresh, sweet locust-pod. For I am frail as a flask of glass, as a fine grey egg, or a slender rod, O brother; and I am the golden ring you wear on your finger so gladly. For God takes everything from you tomorrow, and gives me everything.
O BROTHER, put me in your pouch
As you would a fresh, sweet locust-pod.
For I am frail as a flask of glass,
As a fine grey egg, or a slender rod,
O brother; and I am the golden ring
You wear on your finger so gladly. For God
Takes everything from you tomorrow, and gives me everything.
(D. H. Lawrence, “The Child and the Soldier”)
Gerard Manley Hopkins, T.S. Elliot and William Carlos Williams all claimed that free verse seeks the inherently poetic rhythm of speech. If that’s so, is this a rhythm that may be heard, felt, shared, learned, known?
Let’s think about this some more.
Holly Haggarty is an artist who loves to play with image, rhythm and word. Her poetry has been presented in many formats, as written, spoken and visual word, in local, national and international venues. Recently, her work has been included in the literary journals The Artery, Understory and Feathertale, as well as in the academic anthologies, Poetic Inquiry: Enchantment of Place (Vernon Press) and Ma: Materiality in Teaching and Learning (Peter Lang). She serves as poetry editor for Cloud Lake Literary.
NOWW's 3rd Annual Flash Fiction Contest
Closed as of September 25th.
Can you pack a whole story into just a few paragraphs? Of course you can!
The NOWW Flash Fiction Contest is now accepting short-short story entries of 500 words max. Quick and to the point.
The top three stories will earn cash prizes ($75/$50/$25) and publication in our blog this fall.
Two members of the NOWW board will judge the contest.
What is Flash Fiction?
Flash fiction stories are, well, short. Sometimes called “micro-stories”, “postcard stories” (if a postcard is part of the contest) or “short-short stories”, flash fiction challenges the writer to fit a complete story into very few words. While there isn’t a paint-by-numbers formula for flash fiction, there is a certain art to it. It’s not about trying to squeeze a 3,000-word story into 500 words.
Here are a few links to help you get a better idea of the craft—and to get the creative juices flowing:
https://www.theguardian.com/books/2012/may/14/how-to-write-flash-fiction (Another how-to written by David Gaffney)
https://www.masterclass.com/articles/writing-101-what-is-flash-fiction-learn-how-to-write-flash-fiction-in-7-steps (This article actually lists only six steps – perhaps to prove the point?)
http://flashfictiononline.com/main/ (Example pieces)
NOWW’s Flash Fiction Contest is a great way to challenge yourself and get the creative juices flowing.
By the way, this blog post is 446 words, so you have a little more room than this to write your beginning, middle, and end. Think you can do it? Let’s find out! Start writing today!
A Useful Guide for Aspiring Authors
Welcome to our NOWW Blog, made up of a collection of stories, reviews and articles written by our NOWW Members.